- LIQUID MUSIC VS LIQUID NOTES HOW TO
- LIQUID MUSIC VS LIQUID NOTES PRO
- LIQUID MUSIC VS LIQUID NOTES SERIES
Press play in Liquid Notes to make sure all 3 sounds are triggering correctly. Hitting Next, Liquid Notes loads up with eight chord sections for each bar of the MIDI region.
LIQUID MUSIC VS LIQUID NOTES PRO
Our screenshots are from Logic 9, however you can change the MIDI channel in Logic Pro X in the same place.
LIQUID MUSIC VS LIQUID NOTES HOW TO
The next page in Liquid Notes explains how to make sure ‘Auto Demix by channel if multitrack recording’ is checked, and the following page explains how to select different MIDI channels for each instrument, and also to make sure Record is enabled for all tracks. Now we need to set up the routing in order to establish a connection between Logic and Liquid Notes. We change it to the bass setting for our bass part and melody setting for our lead. No problem – you can simply change this if it doesn’t get it right automatically. It’s correctly analysed the arp part as chords, but in this case it’s analysed the bass as a melody and the lead as a percussion part. Oon the Track Type Analysis page, we can now see our named MIDI regions on the left and how Liquid Notes has analysed the MIDI data to the right. As we’re using Logic as our DAW for this example, we select Logic as our sound output source. Now we need to load Liquid Notes, and we can drag and drop our exported MIDI files onto the ‘Drop MIDI File Here’ bubble that appears on the right. We name our MIDI ‘For Liquid Notes’ and save it on the desktop. We can do this by highlighting all MIDI regions and then right-clicking (or ctrl-clicking) and selecting ‘Export as MIDI File’. First we name our MIDI regions ‘bass’, ‘lead’ and ‘arp’ (this will make things clearer when it comes to the Track Analysis Type page in Liquid Notes), then we need to export our MIDI files. The hook is sounding OK, but the same pattern plays in a loop. It would benefit from some variations in the melody to create something musically stronger – this is where Liquid Notes comes in. The only thing we change on the arp is moving the Oct Range setting to 4 so that the arp riff plays over four octaves: We program four-note G minor chord, and also load Logic’s Arpeggiator MIDI effect. The third sound is yet another instance of Diva, this time opting for the ‘MK Plucky Saws’ preset from the Poly Synth presets. For this sound we program a simple single-note pattern with some velocity variation: We’ve programmed the MIDI notes below, in the key of G minor, playing over eight bars: įor the second part, we’ll also load another instance of Diva on a new instrument channel, and load the ‘HS Ursa Minor’ preset from the Poly Synth presets section. We’ll begin by putting together our sequence, which consists of three parts, each played with U-he’s Diva synth.įor the first part, select the ‘XS Analog Bass’ preset. In this instalment of Synth Secrets we’ll take a look at reharmonising the melodic sequence below using Re-Compose’s Liquid Notes software.
LIQUID MUSIC VS LIQUID NOTES SERIES
Synth Secrets is a series of programming tutorials in which we show how to make a range of classic and new synth sounds using plugins such as Massive, Sylenth and Diva.
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